(Note: This review was originally posted at Truly Disturbing Horror.)
Rob Zombie is one of the more singularly divisive figures in modern horror. He inspires frothing anger and gleeful loyalty in equal measure among horror fans worldwide. What ever other criticism can be rightly leveled at him (and he certainly has some significant failings as a film maker), it can't be said that he's someone who is guilty of finding a successful formula and then milking it until audiences are so tired of it that they just can't stand it any more. Every Rob Zombie film is significantly different from the others, with the possible exception of the stable of actors who have now become regulars in his films, including his wife, Sheri Moon Zombie.
The Lords Of Salem is a vastly different film from anything he's done before, and with the possible exception of Ti West's The House Of The Devil, it's a vastly different film from any we've seen in a long time. There are some truly great, iconic moments and images in the film that go far beyond anything his previous films even hinted at. There are elements of the film which could have almost taken it over the line and into greatness. There are also things in the film that don't work and are reminiscent of problems with some of his previous films, but he either got very lucky and came up with a story that allows for him to rely more on his strengths than he has before or the experience he's accumulated through the years allowed him to start developing stories that minimize the parts of film making that he is least successful in. Either way, because of the nature of the story, those failings are evident, but they aren't quite as damaging to the story or to the experience of seeing the film as they have been in some of his other films.
Showing posts with label Dee Wallace. Show all posts
Showing posts with label Dee Wallace. Show all posts
Saturday, April 20, 2013
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