Mama (Andrés Muschietti, 2013)

Guillermo Del Toro has reached a place in his career that allows him to not only take on the full plate of projects he's attached to (and he's constantly attached to a large slate of upcoming films, whether they end up being made or not), but by attaching his name to a project as a producer, he can allow young directors their chance at making a full length feature. He's done this previously with The Orphanage, a stylish and spooky fright flick released in 2007 and directed by then novice film maker Juan Antonio Bayona. It was a film that bore a resemblance to Del Toro's The Devil's Backbone, not so much as imitation, but as spiritual kin in that they both drew from a long, rich history of traditional ghost stories and an old time era of horror films. Both films relied on suspense more than shock and imbued their stories with a healthy bit of the kind of tragedy that has been missing from horror films for a few decades.

Now comes Mama, director Andrés Muschietti's first feature. Having only previously directed a short film of the same name, Muschietti is very much an unknown quantity and without the weight of Del Toro's name would never have been able to secure either a budget of the size Mama obviously has (by no means a blockbuster budget, but still definitely of a larger variety than most any director with one short film under his belt would usually be able to secure), and even more importantly, a nationwide distribution deal.

Shocking both the horror community and Hollywood, Mama succeeded in burying the competition in it's opening weekend. Not insignificant among those ranks was Arnold Schwarzenegger's return to the world of action films, Last Stand. There's some question about whether or not that's due to the change in the landscape of cinema since Schwarzenegger's exit from cinema to take up politics or audiences just having lost interest in him, but regardless of all that, Mama was a surprise hit. Also, a mostly positive word of mouth didn't hurt the film in the least, and seeing the director of Pan's Labyrinth and Hellboy at the top of the posters and advertisements certainly doesn't hurt. The question is, did Mama and it's director just settle under a lucky star or is the film good enough to have accomplished all this on it's own?

Out Of The Ether, 11/10/09

We've got a slew of good stuff to get to.

Let's start with my favorite thing, a movie to get excited about. I love few things more than stumbling across an article on some site that makes me excited about a film for one reason or another. This is one of those things. Ravenous (previously known as Burning Bright), a film about a girl, with her autistic younger brother, locked in a house with a hungry tiger during a hurricane, might not be a horror movie specifically, but sure as hell could be something extremely exciting to watch. A TIGER(!!!!) chasing a girl around a house could prove for some extremely tense situations, and in the hands of someone who could really handle the material, could be a really fun film. Apparently, from the review over at Bloody Disgusting, that's exactly what it is. I'll be looking forward to this, and trying to see it as soon as possible.

 The Spiderman 4 news is and rumors are starting to swirl. Expect to here this for the next year. Marvel certainly has their hands full with Iron Man 2, Captain America, Thor, and The Avengers films. It might actually be good for the old web head that this franchise was started before Marvel figured out that they should be the one's in creative control of their properties, and not letting the studios put out crap like The Fantastic Four. Anyway, in Spiderman news, we're getting conflicting reports regarding casting. over at IGN, they're reporting that Rachel McAdams is in talks to play Felicia Hardy a.k.a The Black Cat in the next celluloid installment of Spidey's adventures. For those of you unfamiliar with the Spideyverse, Black Cat is thief, and occasional challenge to both Spidey and Peter Parkers loyalty to Mary Jane. I can definitely see this being a very Raimi story, unlike Spiderman 3, which wasn't a story Raimi ever wanted to tell. The conflict in reports comes from /film, where they're reporting that Romola Garai is auditioning for the role as well. Basically, it seems like no one has the role, but we can count on the fact that casting has actually begun, there's a new female lead involved, and there's good chance that lead is Black Cat.

Another huge franchise is making some news as well. Guillermo Del Toro will be suiting up to play a unimportant background character in The Hobbit, which he is directing and Peter Jackson is producing. Ian McKellen, John Rhys Davies and Viggo Mortenson are all saying they'd like to return to hallowed Tolkien ground of Middle Earth. IGN is carrying that story here.

 In news that for me falls into the category of "THERE REALLY MIGHT BE A GOD AFTER ALL!!!", Ain't It Cool News is reporting that Steven Spielberg and Will Smith are not going to get the chance to do an adaptation of the manga Oldboy, which Chan-wook Park has already directed an insanely incredible South Korean version of. The title of the article is How Tough Is Hollywood? I actually like both Steven Spielberg and Will Smith, so I'm not going all "I hate A list Hollywood because I think I'm a hipster deuche bag", I just don't see these guys being able to do anything nearly as effecting and downright mind boggling as has already been done, and I don't really think it's necessary to remake films just so Americans don't have to read subtitles. See the original or miss out.

Hears a question, did you like Se7en? If so, you might be happy to hear that David Fincher and writer Andrew Kevin Walker, the team who brought you the detective team of Morgan Freeman and Bradd Pitt chasing Kevin Spacey's serial killer only to find Gwyneth Paltrow's head in a box are teaming up again. I'm happy about it. The Reincarnation of Peter Proud is apparently a remake. Thanks again to Ain't It Cool News for bringing us news that is actually cool.

Darren Aronofsky came into national recognition with his first feature, Requiem for a Dream, and proceeded to piss almost every one of those people who had high hopes for him in releasing The Fountain as his second feature. His third film The Wrestler drew critical praise and may have given Mickey Rourke a shot at an acting career which allows him the opportunity to play more than just an over the hill tough guy. Now, he's working on a new project, The Black Swan. The story of a ballerina whose chief rival may or may not be a figment of her imagination has attracted Natalie Portman, Mila Kunis, Barbara Hershey, Vincent Cassel and Winona Ryder. AICN again.

I've been looking forward to this one for a little over a year now, and the date of release is getting ever close. Terry Gilliam's newest The Imaginarium of Dr. Parnassus has a new poster, which /film has had the good sense to post. I really can't wait to see this one.

James McTeigue's feature directorial debut was V for Vendetta, a film I absolutely love and adore. It may not be fashionable anymore and it may not be "cool", but I do. His latest, well, the chances are pretty good that it's not quite as philosophically or intellectually grounded, but it sure looks like it's going to be one hell of a good time for martial arts/action fans. Check out the new clips for Ninja Assassin over at BD.

There's also a new one sheet for the Christina Ricci, Liam Neeson film After.Life. Follow the link here, to find it and some other images from the film.

The first decade of the millennium has brought us a number of films which haven't had a theatrical release, but have found large followings in their humble straight to DVD roots. There is probably no better example of what the combination of word of mouth, internet buzz and some respectable backing by a distributor creating a monster than Hatchet. I enjoyed the film, but I'm not among it's legion of rabidly loyal fans. Either way, it seemed appropriate to post a link to the first poster art release for sequel, Hatchet 2.

Two of the directors who made my Decade of Horror list have new films coming out soon. Chris Smith, who brought us Severance, is now visiting The Black Death upon us. The film is the story of a group of men trying to bring a woman believed to be the demonic source of the plague to her exorcism. BD has stills. Brian Yuzna has a new 3-D feature on the way called Amphibious 3-D. You can get a first peek at it here.

I've been reading and hearing some pretty good things about Macabre and would like a chance to get to see it myself, but since I'm in Richmond, that chance may not come until it hits DVD. But to you folks who may be in a location more friendly to non-multiplex movie going, here's something about it.

And finally, Dead Snow the festival hit featuring zombie Nazi's is coming to wide release DVD. So far, it's been a Blockbuster Exclusive, which kind of sucks for those of us who enjoy freedom of speech and choose not to spend our money at Blockbuster. We're all going to get a chance to see it and buy soon. Get the details for that and the DVD for Rob Zombie's Halloween 2 here.